No single version
of Anniston

The film is built from accounts that meet, diverge, and complicate one another. Together, they reveal a story no single witness or institution can contain.

DB

David Baker

A former union worker and the founder of Community Against Pollution, Baker began asking questions after his brother's death and concerns about white residue in his neighborhood. His work helped bring Anniston's private chemical record into public view.

JO

Justinn Overton

The film's present-day guide. Overton follows the story beyond the plant fence, through water testing, agency meetings, and the creeks and rivers carrying Anniston's history downstream.

SC

Shirley Carter

Carter remembers the years of organizing and the divisions that followed the settlement. Her account asks who was heard, who benefited, and who still felt left outside the resolution.

CR

Cheryl Rein

Rein speaks about illness, family, and the shock of learning that the risks surrounding her neighborhood had a history she had never been told.

EG

Ellen Griffith Spears

Spears explains how the structure of a company town shaped what could be said, who was believed, and why Anniston's public story took decades to change.

DD

Dr. David Carpenter

Carpenter explains how PCBs move through food chains, accumulate in body fat, and complicate any simple measure of exposure, injury, or closure.

GH

Gayle Harris

Representing the current owner of the former Solutia and Monsanto facility, Harris describes present-day remediation and the company's request to be judged by the work happening now.

PS

Pam Scully

Scully explains the technical world of records of decision, five-year reviews, cleanup standards, and federal oversight, where progress is measured differently than it is in a neighborhood.

JC

Johnnie Cochran

Cochran's arrival marks the moment Anniston's local struggle became a national legal story. The settlement he helped secure remains both a milestone and a subject of debate.

Interview videos will appear here as they are cleared for release. Portraits are shown as monograms until final stills are approved.